Originally published on Author Anthony Avina’s Blog.
In the world of Broken Mirror, cancer has been cured, civil rights for all citizens of the American Union of Nations are respected, and guns are strictly regulated everywhere. At first glance, I can see why you might think it’s a utopia. Indeed, librarians catalogued the book that way.
Cataloging is an interesting process. Publishers submit their data to wholesalers and retailers using standard categories. But librarians also have a say on how a book is categorized. It’s their expertise and their domain. So it was at first a surprise and then a delight, after the first edition of Broken Mirror was published in 2016 and I was looking up where the book was available at libraries across the country, when I discovered that it had been categorized under Utopias and Utopian Fiction, among other designations.
Fast forward to when I attended the American Library Association conference this year in San Diego. The convention center—the same one that hosts Comic Con—was filled with people who work with books in all kinds of ways. There were authors, publishers, artists, publicists, technologists, and of course librarians. The librarians who attended were looking for books to acquire but also for ideas and systems to help them run programs for their patrons, which vary from book collections and author talks to crafts, literacy courses, VR and technology hubs, and much more. In a way, libraries are the custodians of a utopian version of the future that is accessible, small-d democratic, and built on concepts of intellectual freedom, self-improvement, and community care.
However, I can understand how readers might have some qualms about calling my book a utopia. First, it’s too dark. Kirkus Reviews wrote that “the world and the characters work together to effectively form a cohesive story about how easy it is for society to classify a group of people as dangerous outsiders.” Juliana Caro reviewed the book for Reedsy and called it “a breathtaking, deeply dark alternate-history Earth with complex characters, layered worldbuilding, and twist after twist after twist.” Bleak, right?
The other problem with calling Broken Mirror a utopian book is that, when I try out the phrase, I get too many blank stares in response. Everyone is very clued in to what a dystopia is: the end of the world, things changing in unsettling ways, dark powers controlling things in secret. There are some elements of this in my book, but they’re balanced by those nice things like everyone enjoying civil rights.
The story is also definitely not about a false utopia, where things appear great on the surface, but danger lurks beneath the surface. The dangers in my book are part of the premise and they are front and center on purpose. We are familiar with false utopias through tropes introduced to the popular imagination by Twilight Zone, Star Trek, and many others, such as The Truman Show, Black Mirror, WandaVision, etc. But I’ve always been writing what I see as a realistic and balanced story about how our present could be if we made different choices throughout our history.
It’s important to note that a utopia is not a place where everything is perfect. It’s a thought experiment that imagines different structures and forces, sometimes hidden, sometimes plain as day, that shape society.
I’m coming to terms with the label of utopian fiction. Resonant Earth imagines an alternate history of Reconstruction after the U.S. Civil War being successful. In other words, formerly enslaved people gain full citizenship and civil rights. Women were a key part of the abolitionist movement, so I also imagined that they won the right to vote and full participation in civic life and the economy. Imagine if America could wake itself from all its awful, destructive, and painful -isms by the turn of the century (and by that I mean 1900). What kind of world would we live in today?
It’s very easy to become pessimistic about the future of humanity. Global conflict, biosphere degradation, the simply terrifying physics of climate change—who is going to save the world from such calamities? The answer is that each of us as individuals can come together to implement solutions. If I can’t live in utopia, at least I can write about one, live there in my imagination, and bring that creativity and resolve back into the real world.